The transcendent, 19th-century classical grandeur of Mahler’s Second (“Resurrection” Symphony) seems like an unlikely score to the street-level hip-hop of Tupac Shakur and Biggie Smalls. That these ...
This story is free to read because readers choose to support LAist. If you find value in independent local reporting, make a donation to power our newsroom today. Author Justin Tinsley calls the ...
Author Justin Tinsley calls the convergence of the two events a "form of serendipity," with Biggie's album, which details his life as a young Black man growing up in Brooklyn, acting as a "rebuttal" ...
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