FriezeRotomi Fani-Kayode, Nothing to Lose XII (Bodies of Experience), 1989 Archival chromogenic print, 61 × 51 cm. Edition of 10. Presented by Hales. POA Rotomi Fani-Kayode, Nothing to Lose XII ...

Kelly Akashi | Lisson Gallery | 20 February – 29 March Kelly Akashi, Untitled, 2024, lost-wax cast bronze, borosilicate glass, 35.6 × 14 × 8.9 cm. Courtesy: the artist and Lisson Gallery For her first ...

Miles Greenberg | ICD Brookfield Place | 15 April – 18 May Miles Greenberg, Le Miroir (Acte I), 2025, video still. Palais El Badi, Marrakech, Morocco. Commissioned by ICD Brookfield Place Arts ...

The first thing you will see upon entering Tina Girouard’s retrospective at the Center for Art, Research, and Alliances (CARA) is a loop of floral fabric that hangs down from the second floor. Drawn ...

FriezeBy contrast, Pade’s protagonist is not a lone figure: she is dispersed across the exhibition – in different bodies, roles, times – to emphasize the universality of sacrifice present within the ...

This interview took place before the Los Angeles fires of January 2025. David Zwirner opened two spaces on N Western Avenue in Los Angeles’s Melrose Hill district in May 2023, and followed them the ...

Francesca Mollett | Modern Art, London | 5 June – 19 July ...

The museum’s artistic director and chief curator discusses engaging local artists and the city as a vital connector between ...

Sound Clash is the first iteration of Ben Selig’s project exploring place-making in east London. Comprised of three sound stations across Frieze London, Sound Clash draws from Jamaican sonic practices ...

FriezeMore than 70 works (including a monumental 1995 commission from Chicago Public Library that has never been loaned before) plot the career of one of contemporary art’s most acclaimed painters.

Thomas McMullan is the author of Groundwater (Bloomsbury, 2025) and The Last Good Man (Bloomsbury, 2020), which won the 2021 Betty Trask Prize. His short fiction has been published in Ploughshares, ...

In new work for Frieze, the Korean sculptor reflects on queer lives in South Korea, family and his relationship to his body ...