Several years ago, I conducted concerts and a recording session with the amazing Dimka Ashkenazy and the Hagen Philharmonic — Peter Maxwell Davies’ Clarinet Concerto (Strathclyde No. 4). We made it, the recording engineer worked on it, and then… waited. Today, the CD finally arrived in my hands. A performance disappears. A recording keeps going. In classical music, contemporary music, and any kind of creative work, so much of what we do happens quietly, long before anyone sees it. Rehearsals. Ta

Cleveland Women’s Orchestra celebrates 90 years of resilience and vitality

When were women first allowed to join the orchestra?

The Heavy History behind QT Wellington